To introduce biblical rhetorical criticism1 this chapter, like the first, employs the classical faculties of invention and arrangement. Gathering materials for the occasion (inventio), it orders them (dispositio). The particular order is a chiasm.2 Section A reports on the Muilenburg program; section B examines rhetoric as the art of composition; section B′ examines rhetoric as the art of persuasion; section A′ evaluates the Muilenburg legacy.
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